by J. Drucker
This book was conceived as a typographic fugue, a work in which each new graphic theme was taken up, played with, and incorporated into those preceding. The book was inspired in part by the absolutely beautiful Caslon type we had acquired at UC Berkeley for use in the Architecture School, Visual Studies studio. The text is a polemic against the limits of language as the defining boundary of experience or sentience. The book was done in the final months in which I was in Berkeley, finished as I finished my Ph.D. work in Ecriture, and as I completed the work on my dissertation on avant-garde and experimental typography.The point of the project was to use material means, typographic possibilities, to proliferate meaning within a single text.